Almost like he were a prophet, Mach-Hommy communicates with what’s hidden in the text. It serves as the LP’s guiding thesis, and the reason it will instantly be remembered as a classic. This week (for the upcoming charts dated July 15), a blockbuster release from Lil Uzi Vert marks hip-hop’s best shot this year at a Billboard 200 No. The album’s interlude “Kreyol (skit)” is a recording of academic research on Haitian Creole. He’s a master of the kind of East Coast rap tropes that still lay as the bedrock of the genre writ large, but with an almost algorithmic level of computational agility, grafting tendrils of references together to cut through to something spiritual. With production from Griselda staples like Cee Gee and Denny Laflare, Mach-Hommy takes his distinct vocal precision to new realms. The album offers a codex of spirit and feeling. Gunn served as executive producer on Newark, New Jersey-based Mach-Hommy’s complete masterwork Pray for Haiti. We’ve already had great releases from 03 Greedo, Skyzoo, Boldy James and more. The independent label founded by native rapper Westside Gunn tapped into the year’s hunger for depth like it was its job. It’s fitting that in 2021, Griselda Records, of Buffalo, New York, would come to dominate the rap subconscious. See June 2023 New Music Releases See 20 of the. Here are our picks for the best rap albums from 2021. Check out all the June 2023 new hip-hop project releases including drops from Chief Keef, Metro Boomin, Killer Mike and more below. The concerns of the real world are as pressing as ever, and that’s ultimately where rap music shines brightest. Hip-hop in 2021 felt raw and urgent Drake and Kanye even settled petty grievances toward the end, perhaps realizing that there’s too much at stake here. Rappers spent 2021 in a mood of genuine introspection, which makes sense given that the year was filled with so many reminders of how precious life is. phenom Little Simz’ deeply personal I Might Be Introvert, where she flips gracefully from confronting her own trauma to flexing at a party with ease. Tyler, the Creator’s Call Me if You Get Lost found the rapper finally accepting his own greatness, making for what’s easily his best album. There was Lil Nas X, who put to rest whatever fealty to genre or form stubborn rap purists had, with Montero, a textured and confessional album that also finds the “Old Town Road” star really rapping - like, rapping, rapping - while managing to imbue his delivery with the playful pleasure of golden-age dance music. But rap is also a genre built on resilience, and 2021 saw its biggest artists, in addition to a slate of exciting newcomers, find new ways to balance joy and pain, the prevailing pendulum of emotion in the pandemic era. Before the clock even struck midnight on New Year’s Eve last year, news of the death of hip-hop’s poet laureate, MF Doom, rattled like a shock wave. Over the past 12 months, our sense of loss seemed to outpace our capacity for grief. In a lot of ways, 2021 represents one of the most tragic periods in rap history.
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